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If you haven’t heard the buzz yet, recent images have surfaced of Sarah Paulson dressed as Linda Tripp for the upcoming season of “American Crime Story.” Titled “Impeachment,” this season delves into Bill Clinton’s notorious 1998 scandal involving his affair with White House intern Monica Lewinsky, during which Tripp secretly recorded conversations with Lewinsky to substantiate the claims.
In a perplexing move, someone decided to put Sarah Paulson in what appears to be a fat suit for the role. Executive producer Ryan Murphy claims that she gained weight for the part, which makes this an “alleged” fat suit. However, I can’t locate any photos of Paulson in her natural mid-size form. While I’m not dismissing the possibility of weight gain, it does prompt a discussion about the ethics of fat suits in Hollywood.
The Ethics of Fat Suits
The entire notion of using a fat suit should be reconsidered. There’s simply no justification for any slim actor to portray a heavier character, even if the narrative involves weight changes. In film and television, we seamlessly accept different actors for characters at various ages; the same logic can easily apply to weight changes. Audiences are more than capable of understanding that a character can be portrayed by different actors of varying body types.
In the context of “American Crime Story,” the use of a fat suit is particularly unnecessary. Linda Tripp wasn’t excessively overweight; by Hollywood standards, she may have been considered so, but she could easily shop for clothing off the rack. Her late ’90s professional attire was not tailored from oversized materials to fit an unusually large frame. She was simply a typical government employee in her fifties, embodying a very average size for her demographic.
Body Size and the Scandal
Furthermore, Tripp’s body size played no crucial role in the scandal’s unfolding. If Sarah Paulson’s talent is essential for capturing Tripp’s essence, she could have convincingly portrayed her without any alterations to her body. Just a nineties hairstyle and wardrobe could have sufficed. If the casting decision hinged on physical resemblance, then Paulson should not have been cast in the first place. There are many actresses who fit Tripp’s size, yet they often go unnoticed in favor of thinner actresses.
While I acknowledge that casting practices in Hollywood can be problematic in a multitude of ways—such as casting white actors in roles meant for people of color or non-disabled actors in disabled roles—the issue of body diversity is equally significant. It’s frustrating that the entertainment industry often fails to reflect the plethora of body sizes found in real life. When was the last time you visited a public space without encountering individuals of all shapes and sizes? It just doesn’t happen.
The Need for Broader Representation
Whether Sarah Paulson genuinely gained weight or donned a fat suit, the choice was unnecessary. If filmmakers embraced a broader representation of body types, they could simply cast a talented actress whose physicality aligns with the character’s requirements. Why is it acceptable for Paulson to portray a woman of Tripp’s size and not okay to cast someone who naturally embodies that size?
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Conclusion
In summary, the conversation surrounding the portrayal of body diversity in film and television is crucial. The decision to use a fat suit for Sarah Paulson in “American Crime Story” raises important questions about representation and the lack of opportunities for mid-size and larger actresses in Hollywood. The industry must evolve to reflect the reality of diverse body types, allowing for more authentic storytelling.
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