Karla Sinclair Faced Criticism While Traveling With Her Children

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Karla Sinclair recently encountered mom-shaming during a flight with her kids, and here’s how it unfolded. If you’re fortunate, your little ones may drift off to sleep during takeoff and stay quiet through the turbulence. However, at some point during any journey, the inevitable moment arrives: your kids wake up. When they do, the tiny humans demand snacks, toys, screens, and more, leaving you willing to auction off a kidney just to avoid the impending chaos. After all, private jets exist for those who can’t handle normal toddler antics.

“I have a toddler and a baby; the baby is just nine months old. I was on a flight with both of them yesterday, having woken up at 4:00 AM. A woman seated behind my husband remarked when my daughter was making noise to entertain the baby, ‘Is that absolutely necessary?’” Karla recalls. “My husband turned to her and said, ‘Well, there are plenty of things three-year-olds do that aren’t absolutely necessary.’”

You might recognize Sinclair as the clever and fierce Laurel Castillo from the gripping ABC series How to Get Away with Murder. In reality, she’s a devoted mom to her two kids, and when it comes to them, she doesn’t hold back. Sinclair remains frustrated; flying with children is often a recipe for disaster, especially during a pandemic filled with isolation and mask mandates. She hoped for a shared sense of compassion, but her experience proved otherwise.

“Then my protective instincts kicked in. I confronted her, which I don’t recommend. I turned and asked, ‘Is it necessary to dye your hair black and wear those ugly boots?’ I should have kept my mouth shut,” Sinclair admits.

Yet, maybe she shouldn’t have. Sinclair is also known for her role in the ABC sitcom Home Economics, where she plays a character who doesn’t shy away from discussing motherhood and its challenges. “I didn’t want to return to television, but when I read the script and learned my character would address motherhood and pumping, I was intrigued. I talk about clogged milk ducts and the struggles of motherhood through a comedic lens, which makes it enjoyable,” she shares.

During the auditions for this role, Sinclair was pregnant with her son. While she faced challenges in the industry regarding her pregnancy, the showrunners welcomed her condition and even integrated it into the storyline.

When filming resumed during COVID, Sinclair discovered the importance of even short naps for her well-being. She recalls how the early days of the pandemic made her feel overwhelmed, trying to manage everything at home. “Before COVID, I was strict about screen time, but that changed. At least I let my kids watch Dory and Moana in Spanish,” she states. “Family walks were beneficial, and Brene Brown’s podcasts were a lifesaver.”

It’s important to note that Sinclair’s show is a comedy and not a deep exploration of the economic hardships faced by many during the pandemic. However, it does touch lightly on financial disparities. “The show depicts a family dealing with struggles, but it’s still a comedic take on it. It doesn’t delve into the harsh realities of income inequality,” she explains.

Perhaps this portrayal will inspire women to discuss personal finance, a topic often considered taboo. According to a 2019 study, many women feel less financially literate than men, and Sinclair is puzzled by society’s reluctance to openly discuss financial matters. “In my family, we talked about money openly, unlike my husband’s family, where it was off-limits. I don’t understand why that’s the case; it’s such an essential part of life,” she says.

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In summary, Karla Sinclair faced criticism while flying with her children, igniting her protective instincts. As a mother and actress, she navigates the challenges of parenting in a pandemic while also tackling personal finance topics in her new role.

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