Over the weekend, rapper Lil Nas X unveiled the highly anticipated music video for his track “Montero (Call Me By Your Name).” The 21-year-old artist had been teasing this release for months, and it certainly lived up to the hype. While many fans are elated by the provocative visuals, a significant number of people are expressing outrage. It would be refreshing if critics could simply keep their opinions to themselves and allow artists the freedom to create.
Religious Imagery and Outrage
In the video, Lil Nas X utilizes Christian themes, including figures like Eve and the serpent from the Garden of Eden, as well as concepts of Heaven, Hell, and the Devil. Unsurprisingly, this has sparked outrage among some Christians, who feel offended by his use of their sacred imagery for social commentary. It’s ironic that those who often criticize “cancel culture” are so quick to cancel an artist who challenges their beliefs.
It’s fascinating to observe how certain individuals wield their faith when it benefits them. They often overlook the transgressions of clergy members but react strongly when a young Black artist expresses himself through a music video that features a lap dance with the devil. It raises the question of where they draw the line. One issue seems genuine, while the other appears to be a convenient distraction from more pressing matters.
A Reclamation of Identity
Lil Nas X seems to employ this religious imagery in “Call Me By Your Name” to reclaim a narrative that often excludes the LGBTQIA+ community. Many LGBTQIA+ individuals identify as Christian, despite facing judgment and exclusion. Growing up in an environment where they are told their identity is a “sin” can have lasting effects. For Lil Nas X to incorporate iconic Christian symbols into his work is, in many ways, a powerful act of reclamation.
As he has shared in interviews, his upbringing was steeped in fear-based religious beliefs. He aims to create a space where young people can embrace their feelings and know they are accepted within the LGBTQIA+ community. The striking visuals of him in a pink wig at the Coliseum, facing judgment, reflect the reality that many LGBTQIA+ individuals, particularly trans women of color, have faced violence simply for being themselves. If he’s destined for Hell, he might as well enjoy the ride, complete with impressive pole dancing skills.
Misinterpretations and Expectations
Critics have suggested that by dancing for a version of Satan, Lil Nas X is engaging in devil worship. However, this interpretation misses the mark. His actions can be seen as symbolic acceptance of his identity. If society condemns him to Hell for being gay, he might as well embrace that narrative fully.
Some argue that because “Old Town Road” gained popularity among children, Lil Nas X should cater to a younger audience. However, he is not a children’s artist; he is a mainstream musician who happens to appeal to a broad demographic. The expectation that he should censor his music for children is unrealistic.
As a mother of a seven-year-old who enjoys Lil Nas X’s music, I’ve introduced him to a variety of songs and ensured he understands the artist’s identity. While he hasn’t watched the “Call Me By Your Name” video yet, I believe he would appreciate its imaginative elements. Representation in music matters, especially for queer kids who need to see openly LGBTQIA+ role models. Lil Nas X’s visibility can positively impact their lives, particularly for Black queer children growing up in religious households.
The Right to Artistic Expression
Ultimately, Lil Nas X is an artist with the right to express himself as he sees fit. While some may have issues with his approach, it’s crucial to reflect on why it bothers them instead of placing the blame solely on him.
Further Reading
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Conclusion
In summary, Lil Nas X’s bold artistic expressions challenge societal norms and offer representation for marginalized groups. His work not only serves as a form of personal reclamation but also creates a space for queer youth to feel seen and accepted. Ultimately, artists should have the freedom to convey their messages without the weight of external expectations.
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