In a rather perplexing turn of events, Penguin Books has embarked on an ambitious project, tasking a variety of artists to redesign the covers of 100 classic novels with vibrant, modern patterns. While many of these covers are visually stunning, one in particular has sparked a wave of critique from women on social media.
UK journalist Emily Thompson recently shared a photo of the reimagined cover for The Man Who Was Thursday, and the reaction was immediate. If you’re a woman, you’ll probably grasp the issue right away. “This could have been easily avoided if just one woman had been part of the design team,” Thompson remarked, posting an image of the cover adorned with a repetitive pattern of red and white objects. Despite the label “TNT” on each, they don’t resemble dynamite at all. In fact, they unmistakably look like tampons.
How did such a glaring oversight slip through the cracks before going to print? Surely, someone must have noticed, especially now that the entire internet is pointing it out.
Other social media users are chiming in, sharing similar unfortunate design blunders, and providing some genuinely sage advice. Ironically, the project is under the guidance of a talented woman, Sophie Collins, one of Penguin’s in-house designers. How this particular cover was approved under her watch remains a mystery. Perhaps she had a good laugh at the situation and decided to let it go to print as a bonding moment for women navigating a patriarchal world. That’s the theory we’ll stick with.
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In summary, the reimagined cover of The Man Who Was Thursday has highlighted a significant oversight in the design process, drawing attention to the importance of diverse perspectives in creative projects.