Mia Thompson, the author of the popular “Shades of Desire” trilogy, recently released a novel titled “Perspective,” which tells the story from the viewpoint of the male lead. To celebrate this release, someone on Thompson’s PR team (who is likely regretting their decision) suggested hosting a Twitter Q&A session where fans could interact with her directly. Unfortunately, things didn’t go as planned. Unless, of course, you appreciate a good dose of irony and online retribution—then it was a grand success.
I never completed the trilogy for several reasons. First, my toddler was entering the notoriously challenging phase of the terrible twos when the books were published. Finding time to read the hefty 1,664 pages felt impossible. Second, I could barely manage to coordinate a matching bra and underwear set to impress my partner, let alone dive into the complexities of adult play with items like Ben Wa balls and handcuffs. The narrative often made me feel prudish. Lastly, the excerpts I did manage to read were so poorly written they became a source of amusement. The Stranger compiled some cringeworthy lines, just in case you’re curious why Thompson’s writing faces so much ridicule:
- “From a tiny, underutilized part of my brain—likely situated at the base of my medulla oblongata—comes the thought: He’s here to see you.”
- “I am all fluttery and breathy—like a child, not a grown woman who can vote and legally drink.”
- “I sit up and grab the orange juice, drinking it too quickly. It’s deliciously cold and makes my mouth feel splendid.”
- “I blush. My inner diva is down on her knees with clasped hands, pleading.”
While the humor surrounding the writing is plentiful, there are serious issues with the story itself, primarily its troubling portrayal of an abusive and manipulative relationship. The protagonist, Ella, finds herself coerced and mistreated under the pretense of participating in a consensual BDSM relationship (an acronym encompassing bondage, discipline, dominance, submission, and roleplay). However, the narrative fails to adhere to the critical principle of true BDSM: consent. When you amass a fortune glorifying and romanticizing abuse while lacking an understanding of the very fetishes you’re depicting, it’s no wonder the internet may turn against you.
A crucial lesson: if I ever find myself successful with a piece that faces relentless criticism, I’ll remember to steer clear of hosting a Twitter live chat.
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In summary, Mia Thompson’s live chat was a humorous debacle that highlighted the pitfalls of engaging with critics without a solid strategy. The conversation around her work continues to spark debate, making it a memorable moment in literary history.
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