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Let’s start with the theme music. The uplifting, poignant piano melody that once encapsulated the dreams and uncertainties of a nation has been replaced by the ominous tones of “One” by Metallica. It’s clear that a new chapter has begun at Downtown Palace.
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In the inaugural episode, one character becomes so overwhelmed by the British class hierarchy that he literally implodes. I won’t spoil who it is, but it begins with his upper lip becoming so rigid that his mustache crumbles away.
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The family is graced by an unexpected guest: a dark-haired exchange student from Austria named Adolphus. While he rants about Germany’s unfair treatment at Versailles, he swiftly wins everyone over at Downtown with his uproarious Charlie Chaplin impersonation. The writers have teased us with promises of significant plot twists involving this fascinating new character.
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Look out for a glaring anachronism in episode six, when Lady Edith Crawley, thrilled by the sale of her Picasso for ten thousand dollars, sends a telegram that ends with, “OMG I can’t believe this Megalolz YOLO ☺.” It’s hard to imagine that in 1923, a noblewoman like Lady Crawley would have penned her own telegrams instead of dictating them to a servant.
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Season five introduces a plethora of new characters. Among them is the well-known British actor Philpot Scraggs, portraying a drunken, dazed man who inexplicably stares directly into the camera and exclaims, “Straight bananas, is it, Brussels?” It seems he may have just stumbled onto the set by mistake.
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The Crawley family continues to navigate the pressing social issues of their time, including laws that dictate the poor must slap themselves while addressing aristocrats, aristocrats having the right to use the impoverished as steeds, and the right to hunt down the poor if the month name contains a vowel.
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No modern drama is complete without the sudden and shocking demise of a key character. I won’t reveal the details, but let’s just say the three-week-long Charleston marathon featured in episode nine takes a tragic turn.
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Episode three pays a self-aware and loving tribute to Scooby-Doo.
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There’s a hint of foreshadowing in episode four, when Robert Crawley remarks, “I hear U.S. President Warren G. Harding has a dicky heart. It will certainly be interesting if he dies this August, leaving his scandal-plagued administration to be stabilized by Vice President Calvin Coolidge.” Lady Branson simply replies, “Yes.”
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Long-serving butler Carson harbors a secret that explains why he survives an accidental shotgun blast in episode six and sets the stage for a crossover with Terminator: The Sarah Connor Chronicles in episode eleven.
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Episode five features a mesmerizing 13-minute segment dedicated to hands preparing tea and crumpets in real time.
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A wave of motorcar excitement sweeps the estate in episode eight with the arrival of the first mass-produced British vehicle, the Quiggsley Silver Sprat. One servant spends an entire year’s salary of sixpence on it, leading to a thrilling seven-miles-per-hour car chase in episode ten, resulting in a bruised knee.
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Episode twelve tackles the brutal winter of 1922-23, where residents of Downtown keep warm by burning first-edition copies of James Joyce’s Ulysses and old Gainsborough artworks they find in the attic.
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The grand finale reveals that the entire narrative of Downtown Palace acts as a prequel to Breaking Bad, suggesting a very lengthy buildup to the events that will unfold.
In summary, Season Five of “Downtown Palace” is rife with bizarre character arcs, historical inaccuracies, and unexpected plot developments that keep viewers guessing. From the peculiar guest list to the outlandish events, this season is a wild ride that both entertains and perplexes.
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Keyphrase: “outrageous blunders in Downtown Palace”
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