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The image of Scott carrying his saxophone casually around his neck, without a case, gives off a vibe that is simultaneously alluring and awkward—a perfect reflection of the ’80s era! Plus, during the Halloween gathering at St. Elmo’s bar, he seems to be playing the sax with his chest muscles.
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When Wendy’s mother murmurs the word “cancer,” it strikes a chord. Meanwhile, when a friend inquires about where Billy met Wendy, he humorously replies, “prison.” I had forgotten how amusing a young Scott could be!
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When trying to connect with Vanessa, Emilio asks the operator for an “emergency breakthrough.” It’s been ages since I’ve heard that phrase—at least 25 years.
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The fashion from the ’80s was all about bangles. Vanessa appears to be wrapped in Slinky-like accessories.
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If I were to play a game of Marry, Boff, Kill with Scott, Judd, and Emilio, who would I select? As a married woman now in my forties, wouldn’t it make sense to choose someone for both a romantic and marital connection? Short answer: Scott for both. The others? Perhaps more of a “keep their posters in the attic and avoid in real life” situation.
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Looking back, the Jeep scene with Vanessa and Scott feels a bit uncomfortable. Tossing a woman’s keys down your pants and then suggesting she retrieve them? Not cool.
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I truly hope these characters graduated from Georgetown without overwhelming student loan debt.
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It’s surprising that we haven’t heard more from Vanessa lately—she practically defined ’80s vocal sounds. I think it might be time for a re-watch of Ghost.
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Mare seems to be layered in clothes throughout the film. The costume designer really committed to the cardigan-and-prairie-skirt aesthetic. Bonus: she appears to be wearing shapewear. Can you imagine if Scott reached under her skirt and found bike-shorts Spanx?
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Vanessa’s look in jeans paired with an off-white fisherman’s sweater set my style for the next decade.
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It’s peculiar that when Emilio reveals his obsessive nature, Vanessa’s boyfriend at the ski lodge is warm and even insists on taking their picture together.
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When Ally and Judd part ways, their vinyl collection becomes a point of contention. “Don’t take the Pretenders,” he snaps, while she claims Thriller and Mahler’s Ninth. The emotional weight of this moment doesn’t quite translate to today’s digital music world.
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The best quote in the film has to be: “There’s the brink of insanity, and then there’s the abyss.” Who hasn’t felt that way post-college?
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How could anyone not fall for Scott? When he tells Ally, “Oh, I love you, I’ve always loved you,” it’s undeniably romantic. Why doesn’t she choose him?
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Scott’s decision to distance himself from his infant daughter is troubling and disheartening.
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Vanessa’s apartment is overwhelmingly pink. “Very subtle,” Scott remarks. And her neighbor is a flamboyant decorator sipping bright pink drinks, portraying the stereotypes of the ’80s.
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Why would Ally ever consider Judd over Scott, even for a moment?
What I remember from this film in the ’80s is the excitement of being 22 and dreaming of Georgetown. Now, I think about the challenges of being that age and hope my children have the same opportunities.
This article offers reflections on youth, relationships, and the nostalgia associated with growing up, similar to exploring the world of home insemination options. For more information on artificial insemination kits and resources to support your journey, check out this guide on our blog. You might also find this article useful, as it provides expert insights on the subject. Additionally, for comprehensive information about fertility services, Johns Hopkins is an excellent resource.
Summary
A nostalgic look back at ‘St. Elmo’s Fire’ reveals the complexities of young adulthood, relationships, and the challenges of navigating life after college. As we reflect on these themes, we also explore related topics like home insemination, providing valuable resources for those on their family-building journey.
Keyphrase: St. Elmo’s Fire insights
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